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Nome: Renato Messina
Website URL: https://www.renatomessina.it
Chi sono: Renato Messina, Siracusa (Italy), 1968. After graduating in Piano and in Music and Performance disciplines (DAMS) at Bologna University, he studied electronic music with Emanuele Casale and Alessandro Cipriani at Istituto Superiore di Studi Musicali Vincenzo Bellini in Catania. He has participated at numerous conferences and workshops and published a number of scientific papers and articles. His electroacoustic performances, videos and art installations have been selected in several international festivals. He is currently Professor of Electroacoustics at the Istituto Superiore di Studi Musicali Vincenzo Bellini in Catania. website: https://www.renatomessina.it
Allegati: http://www.artkernel.com/wp-content/Cimy_User_Extra_Fields/FB_1618975174/file/deputati.pdf
still from “Heblint” (2010)
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Website URL: https://www.renatomessina.it
Chi sono: Renato Messina, Siracusa (Italy), 1968. After graduating in Piano and in Music and Performance disciplines (DAMS) at Bologna University, he studied electronic music with Emanuele Casale and Alessandro Cipriani at Istituto Superiore di Studi Musicali Vincenzo Bellini in Catania. He has participated at numerous conferences and workshops and published a number of scientific papers and articles. His electroacoustic performances, videos and art installations have been selected in several international festivals. He is currently Professor of Electroacoustics at the Istituto Superiore di Studi Musicali Vincenzo Bellini in Catania. website: https://www.renatomessina.it
Allegati: http://www.artkernel.com/wp-content/Cimy_User_Extra_Fields/FB_1618975174/file/deputati.pdf
still from “Heblint” (2010)
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The Simultania Project
novembre 11th, 2010 at 13:57Simultania mette in luce uno tra gli aspetti più interessanti, da un punto di vista estetico, della condivisione dell’informazione nella comunicazione di massa, cioè quello della possibilità di coesistenza aleatoria di un’enorme mole di dati eterogenei, contraddittori e integrabili solo da un punto di vista della corrispondenza cronometrica del loro accadere: il parametro denotativo forse più banale e trascurato nella classica significazione semiotica, rivalutato in funzione della sua oggettività e convertito in connotativo/evocativo